New Online Class Coming Soon!

New Online Class Coming Soon!
Funky Little City Scapes starts July 24th

Monday, June 03, 2013

Embrace Your Limitations-and Winner of my Giveaway

 Good Monday Morning!

I hope everyone is well rested and ready for a beautiful week ahead, our first full week of June! It hardly seems possible we are hitting the halfway mark of 2013!  
With each passing day, time flies faster than the one before and each year melds into the next in a blink of an eye. 
I think acknowledging this and making the most of each and every day is so important. I know you all know that, but until something sneaks up on you or a life changing event happens, we often forget to make the most of every day and every moment we have with our loved ones.

We forget to do this with ourselves as well. How often do we do something just because others think we should? 
Granted there are times when we just need to do something  or it's the right thing to do, but how often is it that you put yourself to the wayside or make excuses as to why you can't do it?
 Reading through the comments in my giveaway last week really reconfirmed to me that we often make excuses, let fear override our faith and, and put off what we want for the sake of everyone but ourselves, (Among many other amazing 'aha' moments that were shared")

The winner of  my giveaway,  Mo Wassell had this to say,
 "  my AHA moment... so many... I heard something yesterday from an inspirational speaker - basically, to embrace your limitations. I thought of how I don't have much space to create, and even less time, and I tend to put off even trying. But his advice was to use that to push you as an artist... so I will begin creating small pieces that don't take as long... duh! Who knows from there?"
Congratulations Mo! I love what you had to say, even though it was a random pick of numbers that led me to you...I think the words you chose to share with us really are so important and I'm grateful you shared what you've learned.

Embrace Your Limitations.

Make the most of what you have, when you have it (or where you have it).


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No excuses, now go out and do great things in the world. We need you to 'show up'.  Time is ticking as we all know. :)

Jodi

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Did you know my class "Painterly in Pink" over at Dreaming in Color is now open for self study work?  Your registration comes with a 12 month subscription to the class AND a 30.00 coupon for product on the Dreaming in Color (website within the Splash of Color family) for the class!

Stop on by and check it out....learn tips and tricks to drawing facial features and painting semi stylized semi realistic portraits.  Over 36 videos shared all for one low price.


Friday, May 31, 2013

12 Tips on How to Be Published in Art Magazines

So you wanna be published in a magazine?
Every so often I get asked how to go about being published, so I thought I'd share a few tips I've found to be helpful along my way.
 It was almost 4 years ago this month that I sent my first entry into Cloth Paper Scissors, never thinking I even had a smidgeon of a chance of being accepted.  Low and behold, a couple weeks after I entered my submission, I was chosen for an article!  It was one of the most exciting days of my life and I'll never forget the thrill of opening that email and sheer fright...because....they wanted my work to be sent and I no longer had it.  
Lesson number one:


1.  If you choose to email the publisher with an article query, ensure you have the items you are sending in. Seems like a no 'brainer' but for me, I didn't think I'd get accepted and I just happened to sell those pieces I sent in. EEEEk.  Well things turned out okay because I was able to recreate those items (after discussing it with the then editor, Pokey Bolton), but it was a scary thought that I almost lost the biggest opportunity of my life because of my ignorance!

2.  Read the guidelines for each magazine you wish to submit to. Each one has specific regulations on what they are looking for.  Some want an email first with specific sized pictures, others want your actual artwork sent in. You can miss an opportunity by not following the rules!


3.  While we are on the topic of reading....read the publication!  If you have the next big 'Bird' art piece that is just out of this world,   make sure that wasn't a recent cover article or main article in the magazine.    They generally are looking for fresh ideas or new takes on established processes.  Put YOUR spin on a project.

4.  Take great pictures.  If you have a beautiful project but shoddy pictures, it probably isn't going to make the cut if you are emailing a query.  Pictures can make or break an online submission.

5. If you have an idea for an article, write a short outline in your query to let the editors know that if you are chosen to write about the process, you are ready to go with an article.

6.  Enter the calls for submissions. It's a great way to get your feet wet and become a recognized name within the magazine.

7.  Blog about your work.  Every so often there are editors scouting talent online through blogs, facebook, pinterest and other various social media outlets for new ideas and artists (or established artists with interesting projects) to feature in their magazine. I've received several opportunities that exact way!

8.  Do your best work.  Send in your best work.  But don't wait until it's so perfect that you never get started trying. Does that make sense?  There is always going to be something bigger and better out there but it's not going to be YOURS or YOU....so just take a chance and try.  

9.  Every no leads to a yes.  You may not get accepted the first time you send in a piece of art, or perhaps it may take you 3 or 4 tries.  Don't let it get you down to the point you stop trying. It's all a matter of timing, other submissions, magazine vision for a particular publication, and so on. You never know when all of that is going to shift so just DO IT:)

10. Be mindful that publications are created months and months out. That means a couple of things.  If you send something in November that is perfect for Christmas, you are wayyyyyy too late and probably way too early.   Christmas articles are starting to be born right about now, in late Spring  for the the Nov/Dec issues (if not earlier).   Not every magazine is holiday specific but several do have a slant on a particular season or holiday especially around the big ones during the course of the year.  Because the magazines work on projects so far in advance, it also means your work will be tied up for 6-12 months when sent in.  In most cases, if you are published, you will get your work back within 30-45 days of the publication hitting the stands.   If it is a paying job (not all are), that is about when you can expect payment as well.

11.  Clearly label with your contact information all of your pieces.   If a publication requires  return shipment payment from you, ensure you enclose that information if you want your work back.  

12.  Last but not least,  I just have to repeat myself in that if you want to be published, simply go ahead and take a chance. Give it a shot. You never will be published  if you don't at least try:)


What are you waiting for? Go make some art!

Jodi

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Looking for some summer fun? 
Try the amazing action packed multi-collaborative workshop "21 Secrets"!




Tuesday, May 28, 2013

Coastal Reverie and a Giveaway, too!!!


Think about the possibilities.  If the world is your canvas, then truly you can create it as you see it. Or as you choose to see it. Once you let go of the boundaries instilled in your mind,  there are no rules as  you unleash your creative heart.
 
This painting is a good example of just that. I  went into my painting session with an idea and a very loose color scheme, something that I changed up a bit as I went along. What I did have was a vision though...a vision of something I had seen many years ago but with time had faded to just a blurry haze of color and shapes.

Snorkeling.  Yep..that was the inspiration behind this painting,  a dive in the Caribbean waters many moons ago, About 15 years ago at least maybe more. While I don't remember much, what I do recall is much more than blue waters floating by, it was crayon box of color , texture and MOVEMENT,  underwater. Everything is moving with every wave that goes by.  Does it look like this exactly? No. But that's okay.  The painting doesn't have to even resemble the underwater scene I was envisioning, if someone wants to believe it's a explosion of fireworks...that's okay with me too.  It's just a canvas. It's a memory. It's a feeling.  It's going to elicit something different from everyone who views it. 




 Our individual canvases can go from one feeling to another rather quickly, at times it just may be simple and understated like the canvas above.  Still, the colors evoke a feeling...to me, they bring me back to a cottage I once knew well by the lake,  a little store nearby full of penny candy and freeze pops and a line up of boats anchored near the shore. I imagine this board nestled in a vignette of fisherman's net and starfish, maybe sitting on top of a treasure box full of memories of a summer not too long ago.
Art does that for you. It brings you back in time.
It retells the stories before they are forgotten.
The colors chosen can further remind us of that time when....
Or the time we wish we were a part of...
Art, like life, is a medley of memories, told in bits in pieces.  But put together, you begin to see the bigger picture.

I was recently interviewed by Mo of Artful Living Group about my upcoming exhibit at their gallery:

Coastal Reverie
..and as we were talking about the show, she picked up on the fact that I seem to use a lot of houses, communities, fun coastal themes and a lot of positive words or affirmations in my work.  We talked about overcoming odds and making a better life for ourselves,  and using art to tell our stories..and it was like an aha moment for me.  Consciously, I knew what I was going to do for the show yet in a lot of ways, I have been preparing for it for years.  Bits and pieces of all my influences have found their way into each of the pieces I will be showing.  Some tell color stories, some tell stories of summer love and taking chances, others are about surviving and regenerating,  flowing with what life hands you, staying positive while living each and every day to the best of our ability
A subliminal dream. 
From the shores of Lake Erie to the Coast of Carolina.  It's about where I grew up and where I have planted my roots now. It's all in there, and I hope you stop by to see it come together from June 6th-June 30th with an opening reception June 6th from 6:30 to 8:30 at Artful Living Group on Cape Fear Blvd, in Carolina Beach NC.


To celebrate my first ever solo exhibit,  I wanted to share some color inspiration with some of my favorite products from Splash of Color!!!  whoooohoooo! Who doesn't love a giveaway?!  Included in this goodie pack are some Silks Acrylics,  Small pots of Twinkling H20s and some larger pots of the Twinks, a jar of Inka Gold, and a black  Pearl Pen. That's what I have now, If I get over 100 entries (in the form of comments), I will add a few more goodies for you  (I'll update you with another picture if that happens).  **Fingers crossed it does because I want to bless you with even more goodies!!!!!

Oh heck....let's add one more thing right now to the package....I'm going to hand pick one of my One of a Kind   Sweet HeART magnets and throw it in to the goodie box.  Total mini fridge art that is uber cool!


UPDATE...we hit the over 100 mark of comments! Thank you everyone that stopped by! I swear, I've been reading every comment, shaking my head and just lovin' on your 'aha' moments. They are a great motivating read in and of themselves!

Well as promised, since we hit the 100 comment mark, I am adding a few more goodies: 

*mini print, a post card of my original art, bookmark with some of my funky houses, one of my fav pencils, a set of Turner Guache, texture material, and a sampler pack of awesome paper for collage!  Yay what a great prize this package is going to be!  Keep sharing!!
I really appreciate you helping get the word out about my show and the prizes you can win here!
Okay so how to enter?
Simply make a comment on THIS post and tell me if you care to share any "Aha" moments you've had in this first half of 2013, it can relate to life, art, career, family, love...whatever you want to share. And if you don't want to share, that's cool too...just make sure you leave a linky so I can get a hold of you if you win.

**Bonus Entries** 
I'd love if you shared this post to get the word out on my exhibit....and the freebie giveaway!
If you share this post, just simply come back here and make a second comment.
*One extra entry person please:))

Giveaway runs from today May 28-Sunday, June 2nd.   I'll announce the winner on Monday!!
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*If you happen to go to the show on June 6th, why not stay an extra day and take my class at Artful Living Group, "Lazy Days of Summer" journal making class.
When:  June 7th
Where:  Artful Living Group,  Carolina Beach , NC
Time:  10-1

*Most supplies are included but if you want to bring copies of pictures, any favorite papers or odds n ends to add to the journal, or favorite colors of paint, you are welcome to do so.
*Cost  49.00
Everyone will get come away with a journal that you can capture all of your summer memories as well as learn several journal page techniques during the course of this class!!
hey...it's early but if you want to bring a mimosa or a bloody mary to class, go for it! :)) Just bring me one, too!  jk

Seats are limited so be sure to call today and reserve your spot!

Phone(910) 458-7822
Emailinfo@artfullivinggroup.com
Websitehttp://www.ArtfulLivingGroup.com


Tuesday, May 21, 2013

Split Personalities

 Sometimes I think I have a split personality. Well a lot of times I think that, especially when I'm working on projects. Often times I have many things going on at once and my head is buzzing with ideas and like a chicken I pop from one thing to the next and then go run and do a load of laundry and come back and wonder who the heck destroyed my studio while I slipped out for a few minutes.

 This week has been no exception, did I say this week..well actually it's been the last few months dealing with controlled chaos (not sure of the exact definition of that...you'll just have to visualize what that means).   And then all at once things start to come together.  
It's funny though to look at the pieces that are born during times like these. I do have a method to my madness, but it kinda amazes me I can go from the painting above to this one below all during the same painting session.
I like things visually stimulating whether its through color, texture, or composition. I enjoy adding fun crazy cool and made up elements....
....and then I like to bring it down a notch and keep it simple but  yet still full of texture and interest.
Kind of like my personality, I can be all over the place and into everything but when I'm ready to dig in or relax, I like the simple things in life. It doesn't take a lot to make me happy, just a bit of variety in the day.
 I'm heading back to the beach soon and taking these with me...Save the date:  June 6th from 6:30-8:30 an opening reception for my exhibit "Coastal Reverie at Artful Living Group, located on Cape Fear Blvd in Carolina Beach.  It'll be a feast for your eyes, full of color, whimsy and coastal memories displayed on the canvas and I can't wait!

Jodi

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Have you heard about Gelli printing? It's all the rage right now and I'm thrilled to be teaching a class that will go over some printing basics,  add some super cool exciting tricks to get the most of your gelli plate, AND show you some awesome ways to use the gazillion prints we will create in class.

 

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Perhaps Faces are your thing, if so, check out my "Mermaids and Maidens" class also at Art Is you,  there is no doubt you will come away with a magical and mystical portrait of a maiden or mermaid that is full of depth and color with the step by step instructions I'll have for you.  

Join in on the fun!
 

Sunday, May 19, 2013

Marketing Your Creativity, an Interview.....

Earlier this year, I joined an awesome class by Lisa Jacobs and Tim Adams called "Build a Better Creative Business, " and I have to say it was so worth the time and money. We learned so much  the variety of topics covered such as:  building a successful online shop, creating collections, PR, ins and outs of fabric & jewelry design, creating a presence online through social media and more.  Recently Lisa interviewed me over on her website, Market Your Creativity. We talked a bit about having a successful creative business, how I got started, and a few words of wisdom shared for those of you who are thinking about taking your art to the next level.

Please stop by and take a look at the interview and stay tuned for an exciting announcement regarding the next 'semester' of Build a Better Creative Business', which will be coming soon!

Enjoy the Interview!  
Jodi
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Are you looking for ways to 'amp' up your journaling?  Or perhaps you are looking to get started....
well no fear, 21 Secrets is up and running with lessons from instructors around the world just waiting for you.

Take a look and sign up today!


Saturday, May 18, 2013

The Big Audacious Dream and How to Live It

 It was a little over 2 weeks ago that I saw the sun peek over this shop in Manteo in a way that was brilliant and blinding, comforting and exhilarating as one might expect when you are about to embark on an adventure that you are not quite sure what will unfold around any corner, or in this case, sand dune.
 I'm fairly certain I do some of my best thinking in the car on the way to someplace or on the way back.  It's like a little cocoon that I can't escape from and have to just forge ahead and make decisions, make plans and I have as long as it takes to get there. Business meetings with my friends, especially one in particular (Jean Skipper) manifest organically and purposefully at the same time while we head to a show, a gallery, a shop, or some other magical destination like the Outer Banks.   Quite different than business meetings in board room as once held in my former life as a bank manager.  

And then we get out and take a break from our discussion and hike along the beach, take a moment at a rest stop, or grab a bite to eat and carry on our talk about the future, the directions we are heading, where we need to tighten up the process, and what may need letting go.  I like the breaks along the beach as we took on our way to Ocracoke Island.  In the midst of talking about our dreams, we took the opportunity to actually appreciate the fact we were already living one of them, in this very moment. 
 The beauty of having a career that derives from what you do with your own two hands, imaginative mind, and soulful heart,  is that you can do it anywhere for the most part.  And it is a wonderful thing to actually DO IT in different locations because there is inspiration around every bend outside of this 17 x 20 foot studio I spend most days in.   It's okay to step outside of the side door that protects me from the world while I tool away in the art space and take the opportunity to fill the well with the rest of the world that is waiting to be discovered.
 We talked about the big audacious dreams we have for the future, and what or when exactly is the future....perhaps the future isn't so distant after all or the big dream doesn't have to be an all or nothing type of dream. It can be achieved in little chunks that lead up to the pie in the sky type of goal or aspiration.   I have lots of big audacious dreams.  And they change like the flow of the tide, going in and out of sight with strength or ease as the days and months progress.  One thing I'd like to do is to just go away for awhile, to some romantic easy going place that is peaceful and relaxing and just create for a month or so at a time, and perhaps change the location that I do my 'residency' from year to year or quarter by quarter...whatever the world has in store for my dream.  To really, and I mean really dig into my art and achieve that depth I'm craving in a subject and not feel like I have to paint a picture a day unless I want to.  Of course right now or at least over the last few months, I've been on the train fast and furious in order to supply the shops I have with fresh inventory...and I want to continue to do that for the time being but at some point, I want to slow down and breathe, take time to dig in REALLY deep, and let happen, happen. 
It hit both of us, as we were traveling to our destination that the dream was unfolding as we speak but on a smaller scale, no it wasn't a month long residency, nor was it all about creating every day without interruption, but it was about gathering inspiration, taking time to enjoy some photography, do research for a project we are unveiling soon (more about that later), and of course creating in the midst of several other artistic  friends. The dream was already here just not exactly as first envisioned.
It was an aha moment.
One that you had to get out of the car, slow down, maybe even miss the first ferry in order to see.
The life I'm living right now isn't one of plenty in material things anymore. It really never was when I was working in the bank either. But it's a more soulful existence. One that I know I'm reaching more people over a larger expanse of the world by doing, one that I'm reaching deeper into myself with every day that I'm blessed with waking to, and to keep it going, it's obvious...I just need to keep dreaming. And doing. And then dreaming some more, then wake up to realize that the moment I have been waiting for is right here in front of my eyes.

What's your big audacious dream? 
Is it something you can live even in a small way today? Or at least do something today to walk yourself towards it tomorrow?

Jodi

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What's Behind You?  
Is it time to face your fears?

Join me in an exercise that not only teaches you some basics about face painting in black and white, we play with releasing the inner critic by putting it behind you then both metaphorically and literally frame ourselves with positive affirmations to guide us into the future.

More class information here!

Wednesday, May 15, 2013

12 Things to Know Before You Participate in an Art Show


 So you 'wanna' be in a show?  Awesome! They are lots of fun but maybe a tiny bit intimidating if you have never done one before. Believe me, I was for the first year or so of doing them--that's for sure! Of course, I tend to get over anxious when doing things for the first time.  Now, I often am asked for advice about doing shows with questions ranging from set up to marketing the event and more.  So, today I thought I'd share with you a few things I've learned along the way....with the disclaimer that I'm still learning and even when I think I have it down, something happens that changes the game plan once more.  

That's lesson one.
1. Prepare for the unexpected and be ready to make adjustments to your set up and display not just during the show, but from show to show.
To expand on that,  the biggie is weather if you are doing an outdoor show. You need walls for your tent!  Plastic to protect your work, maybe a step ladder to push the water that may pool up on the roof of your tent,  tie straps to buckle down stuff like signs or displays.  
But in addition to that,  every show is different so while you think you may know the lay of the land, be ready with a couple of contingent display layouts because once you get to a location, sun, shade, neighbors, your location, or even the size of your display are may change. I've done shows where I've had a 10x12 area,  to a small 6ft table with room for a chair behind me, and everything in between. 
2. Assortment of  work.
It may be tempting to do a few of these and few of that, but think of your display area as being a mini boutique.  You want to show a nice assortment of items but have them related in some way so that your 'shop' exudes a voice and signature style that is recognizable.  As you group your work together, it could be by type of item you are showing(color or theme for example),   have enough of each assortment so it can show as a collection.   Sometimes I write out what I want to show and how many, and  then work with that goal in mind when preparing for the show.   There is a fine line between having too much and not having enough. Sometimes less is more when you set up your display,  but at the same time be thinking about what you'd like to make at the show.  If you'd like to gross 2000 dollars;  you should go in with at least double that amount, maybe even triple that amount of inventory. You won't get to your goal otherwise even in the best of circumstances because it won't be possible if it's not there.
 3.  Set your expectations high but go into the show with the knowledge that a successful show isn't always shown by the immediate financial gain.   
During my first show, I had no idea what to expect but I remember totally overestimating how many of each item would sell and I about killed myself to produce that much work.  For example, I thought surely I can sell 100 magnets at 6.00 each, I mean there's going to be 1000's of people there.  The way I do my magnets may look simple but they are not really...what they are, is TIME consuming.  I think I sold 4 or 6 of them the first show.  LOL. 

In fact, I totally overestimated how much I'd sell as a whole.  I wasn't really upset, I was ecstatic that I had accomplished something I had once only been a part of on the buying end and so happy I sold anything. I was packing up my booth at the end of that day and low and behold a customer rushed over to my booth and was looking through some of my work and ended up buying a bunch of pieces at the very last minute. I mean last minute in terms of others already had their booth down and truck was toting their goods off.  It's not over till it's over and even then it's still not over.
 4.  Look at art festivals as a great way to market yourself to people that may never have known about you or your work. 
If you do this, then every show will be a success.   Of course, marketing cost money so while you may not be able to afford 12 big marketing events every year, select 3-5 shows to begin with that fit your style or would be a good market to get into and go into the festival with a positive attitude and the knowledge that you NEVER know who may walk into your booth and offer you an opportunity that you had never imagined.  I've had countless experiences where customers came in to my booth and came back to me down the road and either bought my work online, took a class from me (all over the country), ordered custom pieces from me, asked me to be in THEIR gallery, or purchased something at a gallery that I was already in.  Speaking of a positive attitude, be very careful about what you say to customers, other people within ear shot or other artists about the show.  No one likes a Sulky Suzy or a Whiney Wendy and it doesn't reflect well on you as a business person. When things aren't going as well as you expected, smile, be friendly, rearrange your booth, or work on demonstrations to keep yourself occupied. 
 5. Promotional Material 
It goes without saying that you should come stocked with business cards, post cards and even small items you might consider as loss leaders to give out.  Pass them out to every customer that walks in your booth and encourage them to check out your work online or email/call you if you can do something for them in the future. Keep a mailing list. If you are really organized, perhaps notate the segment of names gathered from that show and email that group next year when the show comes around to remind them that you will be back.I can guarantee you they will stop back in to see you if they come to the show.
Hopefully the organizers of the show have a facebook page, website, or newsletter of their own to promote the event, and if they do, make sure you engage with the page to help get the word out. After all, the more people that know about YOU, the show and the work that will be there from all of the artists, the more likely it will be a successful event. Social media is a great way to get the word out, so definitely familiarize yourself with it if you aren't already and use it to your advantage!

 6. Pricing
Ahhhh pricing.  It is the conundrum for every artist, especially in the beginning when you are first getting started.  There are a lot of costs involved in doing a show that may not be easily seen from the naked eye. It's easy to assume that 100% of what you make at a show goes directly to you. And for the most part it does.  Kind of.  But don't forget the cost of doing business which includes but not limited to:  show fees, display merchandising expenses,  business cards,  'cash register' material( like sales slips, staples, pens), packaging (bubble wrap, tissue, bags, and any other add on like branding stickers  or ribbon you add to the bags), hotel cost,  travel expenses such as gas to get to the event and tolls, food expenses while there, taxes, signage,  not to mention the cost of YOU doing the work to begin with (your time and supply cost), along with other things such as cost for a baby sitter for the weekend if you have kids, pet siting...a whole mryiad of things.  So yes, it may seem like an artist gets 100% of what is made but by the time you factor in all the costs, it's more like  you net 40-50% at best.
Which brings me to the point of pricing your work accordingly.   This is really important whether or not you are doing shows, selling online or selling wholesale.   There really isn't a magic formula but the thing to keep in mind is to be consistent in your pricing. You don't want to sell the same type of item in 4 different locations (say online, at shows, in galleries, or catalogs) and have the prices all over the board.  Customers won't like it and neither will your partner shops or boutiques if you under cut them when you do shows or sell for yourself online.
7.  Show stoppers
I like to bring at least 3 or 4 pieces that I consider show stoppers or statement pieces with me to each festival. They may not be the pieces that sell, but they are what draws a customer in. If you sell smaller items, it could be how you display the item(s) that are what you consider show stoppers that draw people in.  The trick is not to frighten people off and I'm still  debating if I'm doing it right...and by that I mean, it could work to your disadvantage if you lead with your highest priced item right out front because customer could peak in and say, no I won't be able to afford anything in this booth. Or it could taint them and leaving them wanting nothing other than that big piece, OR it could encourage the customers to come in and look at what they might be able to get even though they couldn't purchase the 'gateway' piece right then and there.  You have to feel it out based on the show on which scenario it may be for each show and go with your gut.  But bring some of your best pieces and with any luck, it not only will draw customer in, it will enhance their shopping experience.

 8.  Have someone help you at your festival.
It's not always possible to bring someone but if you are lucky to have  a friend or family member that doesn't mind hanging out and helping you (at least get set up), by all means bring them along. The perfect person to travel with will help you set up, be available for bathroom breaks or if it gets busy, but doens't mind wandering around and doing their own thing so you can focus on customers the rest of the show, then come back and help you break down when it's all over with.
There are some shows that have booth sitters that are very helpful to call on if you do need a break or if not, make friends with your neighbor and watch each others space when either of you needs to step away.
Every so often, there are shows that have lots of volunteers to help set up and break down, but those are the exception rather than the norm.  If in doubt, call the organizers and double check. If  you need extra help they may be able to either get a volunteer to aid you or find someone for a small fee to do it locally.  
THANK THE VOLUNTEERS!  BTW.  Sounds obvious but so many people come to expect things rather than be grateful for what others do for you or the community.  Thank them for their efforts.
 9.   Make a List
Check it twice.   I'm a list maker so I had to add that in. It's the only way I can remember everything!  After doing a couple of shows I started organizing things differently, such as keeping a box that had all of my 'register items" in it permanently,   a tote for all of my linens, another for my props and signs. Keeping those aside makes packing and set up easier. 
Bring snacks, drinks, something to write on (take notes during a show, you never know when you may get a special order request or someone may say something that may inspire you for future designs).
Back to the list.  Save your sanity and pack up things a day or so before heading out to the show.  Easing into the day without having been up all night doing that one last thing is really the ideal situation.
 10.  Get to the show early
Going back to number 9, things always take longer than you expect, especially if you are doing a show for the first time. Even as far as parking for the vendors being way far away and having to take a shuttle back from your car after initial set up. That in itself can take 1/2 hour to 45 minutes...if you aren't prepared with a little bit of cushion in your set up time it could serve as a rocky start to the event.  
Setting up with ample amount of time allows for a smooth start even if you are a bit nervous to begin with.
 11.  Have fun. 
You are doing what you love to do after all. Yes it is a lot of work, probably more work than anyone ever realizes, but how cool it is to have people admire your work and even better, purchase something that YOU made with your own two hands.  Pretty freekin cool.
Take time to investigate the area that you are doing the show in, check out a local favorite restaurant while there, maybe some music, or other attraction if time allows.  Yes you will be tired...but it's worth it. I promise.
12.  When You Think You Know What to Do, It's Bound to Change.
I could go on and on about what to bring, what not to bring, what to sell or not to sell but the truth of the matter is that it's different for everyone and it is constantly changing with every show and every year.  The biggest seller in a show may have a flop the next year. Or the show that was just a fun thing to do one year ends up being the best show ever for  you.   Perhaps the THING you are SURE everyone is going to buy ends up being the slowest item and the surprise item you just came up with ends up being the hit.
You don't know until you get there so the bottom line is be flexible, do your best work no matter what, make your booth attractive and cohesive,  smile, have fun, and be open to the fact that every customer that walks into your booth is important and should be treated that way.  Lastly, it's not over till it's over. I'll say that again because very often, the last customer ends up being  your best customer. It's happened time and time again.  Be ready for it. Be ready for anything as a matter of fact:)


***Please feel free to share this post and add your own show tips if you like!***
Jodi


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Friday, May 10, 2013

From this to this...

Since returning from the Outerbanks, I've been painting like a mad woman.  See, a break does do one good.  As does having lots of deadlines to meet but we'll stick with the inspiration as the reason for my majorly productive week.
First things first this week though, I had to start with cleaning my studio.  It may not look spic an span but if you had seen it before....oh my....it was a pure t disaster area!

...and just for giggles, here's my studio when I first bought the house and had a feature in Cloth Paper Scissors, "Studios".  HA.  I am not sure I"ll ever get back to that pristine state!



See that ladder over to the right...at one time it housed all my art supplies.  See the very first picture to see where I'm at now....at least where I let you see!! :)

I do love all the shelves, it couldn't have worked out better for me in that aspect. Looking at this picture makes me long for an even tidier studio but at the same time, I'm so much more busy with projects than I was at the time I had this picture taken. It had to have been back in 2009 or 2010 before I left the bank (in October 2011).  Since that time I've gone from having 3 online classes to 10 going on all at the same time, 2 galleries and shops to about 13 or so, and many other projects like articles, special videos for partners,  workshops and retreats and so on. So ya...having a messy studio or a full studio rather isn't a bad thing. I'm grateful for having things to keep me busy and very grateful for the continued inspiration coming my way to keep me moving forward.

Speaking of inspiration...I wanted to share with you one of my latest paintings from start to finish.  Nothing fancy, just a slide show of my work in progression.  I use some of these techniques in several of my classes and will be featuring a portion of the process (and a whole lot more) in my in person class at Art Is You in Stamford, "Mermaids and Maidens"

Take a look to see how I went from this...
 To this......
It wasn't easy..and I made a lot of changes along the way..but I love how she came out.  Portraits take a lot of time.  Some artist spend months on them and others can knock them out in a day or so. I'm somewhere in between.  I love adding depth with color and texture and layers upon layers of paint.  
I used a variety of materials including Golden and Matisse acrylics,  stencils (some that I am working on for a special project for Jerry's Artarama.. hey rumor has it we may even be working on some videos for them as well.shhhhhh!!), inks by liquitex, charcoal, paste, neocolor ii crayons, and then final paint layer using Silk Acrylics and Primary Elements from my friends at Splash of Color.






So there you have it....a peak at a bit of my process, of course during my classes I really go in depth and walk you through all the stages and give you lots of tips about products, how to use them, when to use them, practice exercises and more.   I hope to see you in one of my classes, either online or in person.  Until then,  take your time, don't be afraid to make adjustments, play with color, let your imagination go and enjoy the process.   This painting was completed over the course of 3 days or so, so keep that in mind if you are doing this your self.  Patience. Patience. Patience.
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